This silk miyamairi kimono is designed for the christening of a baby boy during a Shinto ceremony, adorned with yuzen-dyed 'karako' figures. It measures 32 inches (81.28 cm) from sleeve-end to sleeve-end and stands at 37 inches (93.98 cm) in height. The term 'karako' in Japanese art signifies small Chinese children, often depicted as boys in traditional Chinese attire with two small tufts of hair on their otherwise bare heads. These figures embody the desire for a male heir to attain social status and symbolize benevolence, bringing luck, happiness, and prosperity. 'Karako' hold a divine status in Japanese mythology, encapsulating the innocence of infants and the wisdom of the elderly, marking both the start and end of life. According to the contemporary Japanese artist Akio Takamori, 'karako' iconography encapsulates the vulnerability of human life, intertwining themes of uncertainty and the vast potential of the future alongside mortality. The artist responsible for this ceremonial garment deviated from tradition by featuring a substantial amount of 'karako' imagery not only on the center backside but also extensively covering the front and back of the garment, spanning across the main bodice and sleeves. The detailed images below the primary gallery image showcase the artist's wide range of 'karako' representations.