This substantial fukusa showcases yuzen-dyed standing cranes with embroidery highlights. It's in very good condition, measuring 26 inches (66.04 cm) by 32 inches (81.28 cm). The depiction of cranes in Japanese art carries rich symbolism.

In Japan, cranes were revered as 'the bird of happiness' and were often referred to as 'Honorable Lord Crane.' The white of the crane symbolized purity, while the red head represented vitality. They were associated with fidelity due to their lifelong partnerships and were symbols of longevity, often depicted alongside pine trees, tortoises, stones, and bamboo—all signifying long life. Additionally, cranes were linked with good fortune and prosperity and were commonly painted with the sun, symbolizing social ambition.

Japanese folklore tells of a legendary warrior whose soul transformed into a crane upon his death, flying away. Historical accounts, such as Yorimoto's bird banding program in the 12th century, contributed to the belief that cranes lived exceptionally long lives—some birds were said to have survived centuries after his death. Legends also mention instances where cranes were released in celebration of peace and prayers for those lost in battle, marking an early association of cranes with peace celebrations.

The motif of a thousand cranes, symbolizing longevity and prosperity, appeared prominently in art, with Sotatsu's 17th-century scroll being one of the oldest known representations. As crane populations declined, artists drew upon the work of others for details, leading to some artistic interpretations, like the portrayal of flying cranes with black tail feathers, deviating from biological accuracy.

In Japan, cranes were called 'tancho,' signifying 'red crown,' and their red and white colors became significant in Japanese symbolism and art. Due to their associations with fidelity, prosperity, and longevity, the crane motif and these colors frequently symbolize marriage in Japan, appearing on kimonos, engagement decorations, sweets, and even ice sculptures during wedding celebrations.

Remarkably, items 2740 and 2741, priced separately, seem to share the same maker, purchased from the same family, and exhibit similar characteristics in size, material, tassels, and an identical lining cloth. These commonalities suggest a shared origin for both pieces.